Dungeness, Fine Art Print by Studio5land

Limited edition : Dungeness sold in a numbered series of 5, with signature and certificate. 

Nos. 2-5 are ordered as sheets or with artisanal glazing and framing. 

Paper quality: Fine Art Paper, Hanhemuhle Photo Rag 308g

Paper quality: Fine Art papper Satin Baryta xx g No 1, No 2-5 Hanemule xx.

Glass & Frame: Art Glass and frame 86x95, black / white / natural wooden frame.

Delivery time: about 7 days.

The craft: When framing our fine art prints, the frame maker is always based on the motif. In order for the artwork to maintain a high quality over time, a craftsmanship is required regarding technology, paper, cardboard glass and frame.

Paper and cardboard in the frame must be acid-free, which means a neutral or somewhat basic PH value. This applies to all paper in both the passport holder and the backing box. The purpose of a passport is, in addition to being stylish in style, a way to protect the print / artwork from the glass. 

The glass used for our fine art prints is the special glass Art Glass, a glass that reproduces details and colors in a fantastic way. The glass is anti-reflective and at some angles not much of the glass is visible. It is also equipped with a UV protection of 70%

In addition, it is important that the frame is sealed correctly and this is done with a tape to prevent dust from penetrating into the frame.

Frame workshop: Frameland AB, Barnhusgatan 8, Stockholm.

About art.

Dungeness is a headland in England, located in the county of Kent in the southeastern part of the country, about 100 km southeast of the capital, London. The area boasts a rich flora and fauna, which stands in stark contrast to the large nuclear power station situated in the village. The photo was taken on the road leading to the power station, just outside Prospect Cottage, the home of artist and filmmaker Derek Jarman. It is a place where Jarman created an expressive garden in harmony with the black-tarred cottage with yellow window frames that stands on the property.

By creating patterns from the pictures, Helena wanted to test and see what she could do with all the landscape photographs she had brought home with me from the various trips. It was very beautiful landscapes and the photos a bit dumb of all the beautiful. When she began to see the photographs as elements, she was able to break up the images and make something abstract of the so realistic landscapes. Try deconstructing and rebuilding. Abstract patterns of landscapes emerged and she began to see something different in each image, began to see what the landscapes consisted of. They lost their borders and belonging to the places where they were taken. 

Could it be that landscape is something abstract without nationality. It may just be different types of systems and patterns that we humans cannot delimit. 
Several of these pictures of pattern landscapes were exhibited under the name "See the landscape and feel the scale" which was held in 2015 in Karbygård, Täby